Bold, surprising stories — on screen and beyond.
Natural history, made with Hollywood craft.
We keep the science true, then build the story with film craft — character, tension, perspective and payoff — because reality is already stranger than fiction.
Greenbank brings together director-led storytelling and feature-level Visuals Effects to create premium factual, natural history and original IP — work that’s visually ambitious, emotionally precise, and grounded in evidence.

Amber is a Director and Producer whose credits include an Emmy-nominated global landmark series, creating authored, cinematic natural history with work spanning the lowest- to highest-budget landmark productions in the genre. She works across three worlds — blue-chip behavioural stories in the wild, expedition filmmaking in extreme/remote environments, and fully storyboarded, constructed CGI — and is fluent in the hybrid space between them.
She directed, produced and wrote the Oceans episode of Prehistoric Planet (Apple TV+/BBC Studios), collaborating with Sir David Attenborough, Jon Favreau, Hans Zimmer and MPC. She also led the media (including VR/immersive experiences) and filmmaking for Flight of the Swans — an award-winning feature film distributed internationally by TVF and a multimedia conservation campaign reaching 60M+ people worldwide, including winning ENDS Impact Award of the Year.
Her work spans three series of the BBC’s Natural World and shoots across the Americas, Africa, the Middle East, Asia and Europe — from filming jaguars in Brazil to directing multi-boat dive teams, aerial and helicopter shoots, and pioneering ROV development. HEFAT-trained, she is experienced in running complex multi-unit productions under pressure.
Amber is currently directing and producing a new landmark series in collaboration with Netflix & Amblin Entertainment, produced by Silverback Films, due for release in 2026.

Bence has been working in the film industry since 2005. His work includes Academy Award, Emmy Award, BAFTA and Annie Award–winning films, series and animation. With two decades spanning short and long form, he brings a director-minded VFX approach — shaping imagery from concept through production and post — delivering for BBC, HBO, Netflix, Sky, Amazon Studios and Apple TV+ across film and high-end series. His credits include Avenue 5, The Boy, the Mole, the Fox and the Horse, Britannia and The Witcher, Prehistoric Planet, Blood Origin, to name a few.
Bence has worked across studios throughout Europe and delivered high-end work for world-class visual effects and animation teams. He’s known for a sharp eye for detail and a calm, analytical on-set mindset — especially when troubleshooting complex scenes in remote, resource-limited environments. He specialises in the point where planning meets reality: on location, supervising stunt-heavy action, and solving problems fast in extreme conditions — from -28°C to +40°C — working underwater as well as on icebreakers, hovercrafts, boats and helicopters.
With more than 15 years of on-set supervision, and experience leading teams both on location and in studio, Bence’s strength is turning ambitious ideas into believable, cinematic images — now fully in service of premium natural history filmmaking.