We make stories on screen and beyond — series, films, campaigns and storyworld extensions.
Turning complex behaviour and science into mainstream stories. We craft blue-chip natural history and premium factual, from live-action fieldcraft to CGI-led sequences when the story demands it. Built on the experience of founder Amber Cherry Eames — director/producer/writer on Prehistoric Planet: Oceans (Apple TV+) — with Bence Varga (Visual Effects Supervisor / On-Set Visual Effects), bridging field between natural history and Hollywood filmmaking.
Big-campaign storytelling — made to move people. We build integrated film + content slates that travel across broadcast, digital and press. Made by the team that directed and produced Flight of the Swans — an award-winning feature and multi-year expedition output (2015-2019), reaching 60 million people worldwide and winning END Impact Award of the Year.
We build conservation storytelling that travels — broadcast, digital, socials and press — crafted on location, under pressure, with editorial rigour and heart. We bank archive, relationships and workflows — and work with a network of trusted international collaborators to move faster with a lighter footprint. Proven through WWT campaigns for global partners (including Disney and National Geographic) and credits across 30+ BBC Natural World films — from jaguars and macaques to Wetlands 2020 and Saving the World’s Rarest Bird.
Real people, real stakes, real access. We make human-led films built on trust, discretion and emotional clarity — with cinematic craft from interview to edit. Trusted with rare, top-level access — including filming and interviewing Sir David Attenborough — and a track record of premium, talent-led storytelling.
Productions anywhere — from deep winter to deep ocean. We’re built for remote, high-pressure filming: small-footprint teams, agile logistics and calm execution in extreme environments — with shoots delivered across 40+ countries.
Expedition-first planning — where story meets logistics. Routes, permits, access, local teams, risk and contingencies: we design shoots that are safe, efficient and story-led from day one. Backed by hands-on experience across dive, aerial and extreme environments — from ice and tundra to tropics, desert and open ocean.
Film-grade workflows — in the wild. From on-location data wrangling to colour-managed dailies and secure backups, we keep quality — and your footage — protected in remote conditions. Designed for expedition reality: fast, robust, and built to keep productions moving.
Hollywood-standard visual effects for natural history. We bring film-grade Visual Effects thinking into the field — helping capture behaviour-led images that would otherwise be impossible. Led by Bence Varga, assembling the right talent for each challenge and delivering seamless results that stay true to the world on screen.
First-of-its-kind open-ocean visual effects capture — from ice to tropics.
We are the team who pioneered visual effects techniques, bespoke kit and workflow to enable underwater filming in truly wild oceans worldwide — merging expedition fieldcraft with on-set visual effects thinking to make the impossible achievable. The result, a robust, real-world foundation for unforgettable sequences in Prehistoric Planet (Season 2: Oceans). Based on our plates and data, final digital effects were delivered by MPC — helping bring an ancient ocean to life from the truth of the one that still exists today.
Original IP - Built from evidence and imagination.
We develop cinematic IP designed to travel beyond the screen, from pitch through to production and storyworld extensions.
Make it land.
From early development to picture lock, we diagnose what’s not landing and give actionable story notes that strengthen pace, character and clarity.
Characters, worlds, and collectable ideas. We create story universes that can extend into publishing, education and interactive formats—designed for longevity.